全球商店計畫：2.5D檳榔攤 Global-Store Project: 2.5D Betel Nut Kiosk
／鈴木貴彥 Takahiko Suzuki
2011, Mixed media, 9 x 19 x 32 cm (Installation), 90 x 60 cm (Photography)
／鈴木貴彥 Takahiko Suzuki
2011, Mixed media, 9 x 19 x 32 cm (Installation), 90 x 60 cm (Photography)
我覺得「全球化」是一個被過度濫用的名詞。這個詞彙在日文翻譯中的意涵是「世界主義」，並被賦予著「世界統一平等」的意象。但隨著時間的遞嬗，我發覺這個詞彙可能是具有多種意涵的。以一種諷刺的觀點，我的「全球商店計畫」目標將「全球化」這個名詞的第一印象具體呈現。
每個城鎮裡都有一些小型私人商店，商店的顧客通常也多是居住在附近的人們。而這些商店的生存方式與知名的漢堡、炸雞連鎖店截然不同，他們的營運方式也僅僅只有一個簡單的招牌而已。出於我對小型商店的敬意，「全球商店計畫」嘗試以全球性的方式推廣它們。
為此，我為小型商店進行拍攝。每間商店我會拍攝150 ~ 300張的細部照片，然後透過電腦來編輯並重新組合。運用這些資料，我製作出小型商店的3D模型，一個小小的3D紀念碑。但事實上它是以2D的照片所製作而成，所以我稱呼它為2.5D攝影。
“I think globalization is a term that is abused. In the Japanese translation, it means globalism, that gives the idea of some “united world of equality.” With time, I have realized the meaning can be quite diverse. So, in an ironic way, my Global-Store Project aims to embody the first impression of globalization.
There are small shops in every city, and their customers are often people living in the neighborhood. Their way-of-life is quite different from the multi-national hamburger or fried chicken companies, the work of which is nothing but the advertisement. In the light of my respect for the small shops, my project is the attempt to globally promote them.
To do so, I take pictures of these stores. Each store, I take from 150 to 300 pictures, that are later edited and assembled by digital technologies. With these materials, I manufacture three-dimensional models of the stores, little three-dimensional monuments that, since made of bidimensional images, I call 2.5D photography.”
每個城鎮裡都有一些小型私人商店，商店的顧客通常也多是居住在附近的人們。而這些商店的生存方式與知名的漢堡、炸雞連鎖店截然不同，他們的營運方式也僅僅只有一個簡單的招牌而已。出於我對小型商店的敬意，「全球商店計畫」嘗試以全球性的方式推廣它們。
為此，我為小型商店進行拍攝。每間商店我會拍攝150 ~ 300張的細部照片，然後透過電腦來編輯並重新組合。運用這些資料，我製作出小型商店的3D模型，一個小小的3D紀念碑。但事實上它是以2D的照片所製作而成，所以我稱呼它為2.5D攝影。
“I think globalization is a term that is abused. In the Japanese translation, it means globalism, that gives the idea of some “united world of equality.” With time, I have realized the meaning can be quite diverse. So, in an ironic way, my Global-Store Project aims to embody the first impression of globalization.
There are small shops in every city, and their customers are often people living in the neighborhood. Their way-of-life is quite different from the multi-national hamburger or fried chicken companies, the work of which is nothing but the advertisement. In the light of my respect for the small shops, my project is the attempt to globally promote them.
To do so, I take pictures of these stores. Each store, I take from 150 to 300 pictures, that are later edited and assembled by digital technologies. With these materials, I manufacture three-dimensional models of the stores, little three-dimensional monuments that, since made of bidimensional images, I call 2.5D photography.”